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Created in 1987, Corot’s Mark stands among Helen Frankenthaler’s most poetic late works — a study in stillness, atmosphere, and emotional color. Its vast expanse of sapphire and ultramarine evokes the quiet depth of twilight, while soft transitions of pigment reveal Frankenthaler’s effortless control over tone and transparency.
The title pays homage to the French landscape painter Jean-Baptiste-Camille Corot, whose subtle gradations of light deeply influenced Frankenthaler’s approach to abstraction. Here, she translates his reverence for nature into pure emotion — a landscape of feeling rather than form.
“You have to know how to use the accidents — how to recognize when what you’ve done is something you can go with.” – Helen Frankenthaler
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