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Created in 1960, April IV stands among Helen Frankenthaler’s most iconic early color field abstractions, marking her transition from Abstract Expressionist spontaneity toward lyrical minimalism.
The painting floats with organic pools of amber-gold and indigo blue, suspended on an untouched white field. Through her revolutionary soak-stain technique, Frankenthaler lets pigment seep directly into raw canvas, creating soft-edged transparencies that merge surface and space.
The result is a work of pure light and harmony — a visual breath where color seems to hover and dissolve, evoking the quiet optimism of spring.
“April IV” is not just an image — it’s a moment of stillness, a meditation in color and air.
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